Sydney Goddard is the new executive secretary and will be taking your calls, answering your questions, mailing your tickets, and “keeping the books”. Same P.O. Box but a different office. Same phone number but a new voice. You can meet Sydney at the table in the lobby on concert night.
If you missed the Sousa concert, you can still purchase season tickets–$80 for the four remaining professional concerts featuring the Calefax Reed Quintet in November and a spring lineup that includes the incomparable Empire Brass, the legendary pianist Menahem Pressler, and the preeminent Milwaukee Symphony Orchestra. Purchased singly, the concerts would cost $110.
To order tickets or for more information contact: Brown County Civic Music Association
P.O. Box 5243, DePere, WI 54415 Phone: (920) 338-1801 Fax: (920) 338-9702
Unless you searched online, you probably missed Warren Gerds’ review of Keith Brion & his New Sousa Band. However, if you read the complete article about the St. Norbert football team’s season opener (‘Dublin Friday Night Lights’), you may have caught mention that local concert reviews ran on the Press- Gazette website. But if you missed it, here is the link. In a nutshell, Civic Music’s season opener was a winner!
Obvious from the buzz and the smiles, audience members were delighted by the retro concert as they conversed with our guest musicians at the post-concert reception at Titletown Brewing Co. Sousa musicians praised Civic Music’s good fortune to have booked the Calefax Reed Quintet for our next concert and raved about the talents of the musicians in the group.
OLIVER BOEKHOORN, oboe
IVAR BERIX, clarinet
RAAF HEKKEMA, saxophone
JELTE ALTHUIS, bass clarinet
ALBAN WESLY, bassoon
Calefax Reed Quintet, established twenty-five years ago, is now in great demand worldwide, not least because of their unique instrumentation. The five musicians arrange, recompose and interpret music from eight centuries to suit their unique constellation. From early music to classical and jazz to world premières, in the hands of Calefax it all sounds fresh and new. The Amsterdam-based ensemble has won a number of prestigious prizes, and can be heard frequently throughout Europe as well as in Russia, China, India, Turkey, Japan and the USA. The Times (UK) has called them “five extremely gifted Dutch gents who almost made the reed quintet seem the best musical format on the planet.”
The current Calefax season includes tours in the United States, Japan and South-Africa and several performances including London’s Wigmore Hall, Germany’s Wittener Tage für Neue Musik, Belgium’s Bach Academy Brugge, and Antwerp’s De Singel, among others. Past season highlights include Music & Image, a program in which the five Calefax musicians are accompanied on stage by movable projection screens for which accompanying video material has been specially developed; a collaboration with the New York based composer Nico Muhly and Dutch rising star soprano Lenneke Ruiten, with concerts in Netherland’s Concertgebouw, in Belgium, and in England’s Wigmore Hall; the ‘Scherpdenkers’ series with Rob Riemen, director of the highly respected Nexus Institut, at Concertgebouw and Muziekgebouw Frits Philips, Eindhoven; the Far East Revisited project with jazz trio Jungle Boldie at Amsterdam’s Muziekgebouw, and Leidse’s Jazz Week; and a concert in the Donderdagavondserie Muziekgebouw, Amsterdam, with world premières of works by Carola Bauckholt, Klas Torstensson and Yannis Kyriakides.
Calefax has released sixteen recordings for the renowned German label MDG, as well as for their own label, Rioja Records, each garnering rave reviews from the international press. Two recent recordings featured CalefaXL (Calefax Extra Large), for which Calefax was expanded to twelve reed players.
The Dutch newspaper De Volkskrant wrote “CalefaXL juggles with notes, and keeps these in the air in a grand manner.” And Lonneke Regter applauded, “as CalefaXL, the twelve reed players shone … with new compositions and inventive arrangements.”
Calefax Reed Quintet has enjoyed collaborations with pianist Jean-Yves Thibaudet, trombonist Christian Lindberg, mezzo-soprano Cora Burggraaf, Jungle Boldie (formerly the Tony Overwater Trio), trumpet player Marco Blaauw, percussionist Arnold Marinissen, Zapp String Quartet, clarinetist Kinan Azmeh, violinist Claude Chalhoub, jazz singers Denise Jannah and Astrid Seriese, and choreographer Sanne van der Put.
In 2004 Calefax started publishing (for online sale) its most successful arrangements in the Calefax Edition. As a result, several reed quintets have been formed all over the world. Through master classes and workshops the Calefax musicians pass on their specific ways of working and musical experiences to new generations. For musicians as well as composers, for audiences and press alike, Calefax continues to be an inspiring chamber music laboratory.
Johann Sebastian Bach Suite from Goldberg Variations, BWV 988
The story goes that the Goldberg Variations were written for Johann Gottlieb Goldberg, the young private harpsichordist of the Dresdener Count Herman von Kayserlinck to sooth his sleepless nights. However this is generally considered to be heresy, due to the fact that the music is very virtuosic and Goldberg could not have been older than fourteen at the time of writing.
In the arrangement for reed quintet a specific detail of the piece becomes clear; Bach wrote it for an instrument with two manuals, on which the crossing of the hands (thus of the voices) was much easier than on a regular keyboard instrument. These crossing of voices are more apparent in Calefax’s arrangement because of the differences in tonal colour of the various reed instruments.
Edvard Grieg (1843 – 1907) – Aus Holberg’s Zeit
Edvard Grieg wrote his piano suite “From Holberg’s time” for the bicentenary of the Danish/Norwegian playwright Ludvig Holberg (1684-1754). The piece follows the design of a French baroque dance suite, but then in romantic fashion. Grieg’s later version, for string orchestra, became immensely popular. In the arrangement for reed quintet, Raaf Hekkema happily uses both sources; the sonority of the string orchestra is similar to that of the reed quintet, whereas here and there the transparency of the original is being preferred.
Libro de glosas is based on the Trattado de glosas from Diego Ortiz (1510-ca1570). The “inter-textuality” between different materials and musical techniques and process of the XVIst century music was my principal interest when I wrote this piece for the wonderful sound and quality of the Calefax ensemble. The piece consists of four Recercadas (I-IV) and a Batalla (V).
The parts I, II und V were performed in Den Bosch at December, 16th 2007. The wohle ciclus was premiered in September 6th 2008 in Utrecht (Old Music Festival). The piece is dedicated to Calefax. The intertextual relationships are as follows:
Recercada I is based on the first chords of the chanson “Doulce memoire“ von Pierre Sandrin. It is also used by Diego Ortiz in his Trattado de glosas.
Recercada II is based on the Incipit of the Madrigal “O felici occhi miei“ of Jacques Arcadelt. It is also used in Trattado de glosas.
Recercada III ist based on the ostinato “Passamezzo antico”. It is also used in Trattado de glosas.
Recercada IV is based on the tenor “La Spagna”. It is also present in Tratado de glosas.
Batalla (V) is a free composition in the form of a “battaglia” and is based on some ostinati of spanish origin as well as on an anonymous thema (XVIst century). There are also some bars of a batalla from Joseph Ximénez (XVIIIrd century).
La spagna – or, in full, “Il re de Spagna”- is a melody which was profusely improvised upon during the 15th century. In the “basse danse”, instruments – usually the shawm – swarmed in a bristling improvisation around a slower melody. Only a few anonymous composers, however, recorded this style. Here the clarinet plays “La Spagna”; the use of the cor anglais adds to the ensemble’s dark sound color. text by Alban Wesly
Calefax Reed Quintet will perform for Civic Music on Saturday, November 17th, 7:30 pm, in the Ralph Holter Auditorium at Green Bay West High. Established 25 years ago, Calefax is in great demand worldwide, not the least because of their unique instrumentation. Featuring oboe, clarinet, saxophone, bass clarinet and bassoon, the five musicians arrange, re-compose and interpret music from eight centuries to suit their unique constellation. From early music to classical and jazz to world premières, in the hands of Calefax it all sounds fresh and new. The Amsterdam-based ensemble has won a number of prestigious prizes, and can be heard frequently throughout Europe as well as in Russia, China, India, Turkey, Japan and the USA. The Times (UK) has called them “five extremely gifted Dutch gents who almost made the reed quintet seem the best musical format on the planet.”
Below is a sampling of Calefax playing Michelangelo Rossi, Toccata Secunda as seen on the 8th ‘Calefax PAN Festival’, December 30, 2011, Muziekgebouw aan ‘t IJ, Amsterdam.
Michelangelo Rossi (1601/2-1656) Toccata Secunda
Arranged for Reed Quintet by Raaf Hekkema
Brown County Civic Music Association is working to better understand the preferences, experiences and wishes of past, present and potential Civic Music members.
Please take a few minutes to share your opinions. Just clicking will take you directly to our online survey. You won’t be asked to provide your name or any other identifying information. The results will be compiled and presented by an independent research consultant. We encourage any adult in your household to take this survey. Please submit all responses by midnight Sunday, November 18, 2012.
Brown County Civic Music is pleased to offer a special ticket price when you purchase tickets to the three remaining concerts in our 2012-13 season! This is quite a deal. Individually purchased, the total ticket cost is $88 and you can get all three for $62. Student prices remain the same: $11 each concert, $27 for the series. Buy tickets online here.